The Texas Open
Two Poems
James Higgins
August 20, 2023
Oasis Hotel
It sat there at the corner of Hwy 80 & Rose St.
painted dark green, not really a hotel & no one
would call it an Oasis.
Three or four second story rooms with
baths & an apartment with two rooms
& a bath where old Judd Sanders & his wife
lived on the west side, the east side was
just single rooms, where heat, reflected off
the black ground floor roof, poured
through always open windows.
Downstairs was the Dept. of Agriculture office,
men in straw cowboy hats who drove green gov’t
pickup trucks & helped farmers grow cotton &
varieties of grain. Storefront windows held photos
& dried wheat stalks, maybe a better kind for
the dry red soil of Taylor County.
My dad lived in one of those west-side rooms
for twenty years or more, ate all his meals at
local cafes. I shared it & those meals with him
on my summer visits, never calling Charlie Dad
though, can’t remember why.
Across the highway/main street & the wide
graveled T & P railroad right of way, was
West 1st Street & the Merkel Hotel, dark
yellow stucco, brown trim, wide porches
for evening shade, more hospitable looking
than the Oasis, maybe too expensive for
Charlie.
The Oasis had convenience though, Charlie’s
machine & auto repair shop was right across
Rose Street from the Oasis, behind the
Greyhound Station & domino parlor next
door to the Highway Café & the ice house
across the alley, a short commute for a man
with a lifelong limp.
Walking to the Oasis (in 1954)
Thunderheads had built
in the north all afternoon,
rising high above the plains.
Rain coming, maybe,
to ease the July heat or
just dry lightning to paint
the dark sky that night.
Ten PM, a walk back to the
Oasis Hotel after a John Wayne
movie at the Queen Theater. I’m
fourteen, Main Street Cafes
all closed, drug store too, a
few loafers parked across
Hwy 80 on the T & P railroad
right of way.
Town Marshal Fulton was
there earlier in his weathered
Ford coupe, red spotlights
ready to give chase to Yankee
speeders blowing through
Merkel’s two traffic signals.
Lightning flashes, too far
away to provide light, make
shadows around the recessed
storefronts deeper, darker. Scariest
corner is where the old Greyhound
station sits. Shadows loom among
the tall gas pumps, maybe hiding
scary men my mother warned me
could be lurking.
Jackknife open in my pocket,
sharpened against fear, danger.
Fingers linger too long near
the blade, blood soaks the pocket
of my new Sears-Roebuck jeans,
a half-block & a dark stairway
from safety.
Born in Abilene, James Higgins spent the first fifteen years of his life in Texas, living in San Antonio during the school year, then spending most summers with his dad in the little town of Merkel, where both his parents were born. Two different worlds, city life vs. small town.
Haiku
Chip Dameron
August 13, 2023
red sun
rises out of humid haze
oven opens
Chip Dameron has published eleven collections of poetry and a travel journal. His poems, as well as his essays on contemporary writers, have appeared in numerous publications in the U.S. and abroad. He is a professor emeritus of English at The University of Texas Rio Grande Valley. A member of the Texas Institute of Letters, he’s also been a Dobie Paisano fellow.
Lighten Up
Alan Berecka
August 6, 2023
You don’t have to be Atlas
to know this world is a heavy place.
If the meek be blessed, I ask
what of the belligerent, the alpha dogs
who bite and claw, stepping on others
all the way to what they see as success,
unburdened by pangs of conscience?
By adding to the burden, piling on,
they do nothing more than aid gravity’s
mindless force that crushes the life
out of all of us a bit quicker
than it would leave on its own.
No, I believe the real the trick, the only true
human accomplishment, is to make the world
a lighter place. Start small, pat a slouching back,
hand out a compliment, dry a tear, share a smile,
or a laugh, create some art, lift a soul,
if even it’s just your own, or better yet,
let your work reach a friend or two,
or go all out like the saints, open
your heart wide, feed the hungry,
cure the sick, visit the lonely,
befriend justice and reap
the blessings, listen
for the sigh
of Atlas.
Alan Berecka is the author of five books of poetry, the latest A Living is Not a Life: A Working Title (2021, Black Spruce Press) was a finalist in the Hoffer Awards. His poetry has appeared in such journals and websites as The Christian Century, The Concho River Review, The Texas Review, The Texas Poetry Assignment, and The Main Street Rag. He recently participated in the Lithuanian Writers Union’s international spring poetry festival which took place in May 2022. This was the second time Berecka has been invited to read at festivals in the birthplace of two grandparents. He earned his living for many years as a librarian at Del Mar College in Corpus Christi. In January 2023, he finally lived long enough so he retired. He and his wife Alice reside in Sinton, Texas where they raised their now two adult children.
Family Trait
James Higgins
July 30, 2023
Something about life made Mary Pence put
the barrel of the thirty-eight in her open mouth
then pull the trigger. She was nearing sixty-five,
widowed, old house falling down around her.
Herb had survived two heart attacks, kept on
driving the dump truck, third one got him
at fifty-eight. Son, Jimmy Don was the local
distributor for the Abilene newspaper,
responsible for making sure the paper
got delivered each morning, building
circulation in Merkel, helping sell ads.
Abilene was sixteen miles away, people
might go there to shop, beat the prices charged
by Merkel’s small-town grocers and drug
stores, but no one cared much about the news
from Abilene, got it on tv stations every night.
Anyhow, no need to pay for delivery. Jimmy
Don married, local girl, had two kids, rented
a house on the south side near the tracks.
Later, some said it was his job, maybe he
just missed being a boy, running wild,
hunting, fishing, beating all comers
at the pool hall or maybe it was just
something about his life too,
made him cock his deer rifle,
hold it against his chest, pull
the trigger and die there
without a note to say goodbye,
no reason why.
Born in Abilene, James Higgins spent the first fifteen years of his life in Texas, living in San Antonio during the school year, then spending most summers with his dad in the little town of Merkel, where both his parents were born. Two different worlds, city life vs. small town.
Author’s note: names changed to protect privacy.
Texas Open
Jeffrey L. Taylor
July 23, 2023
Facing each other across the Edwards Escarpment,
the Coastal Plain opens, serving up Gulf moisture
to the Hill Country, which returns a spinning Polar Vortex.
Rain and ice drive sideways. The Coastal Plain scrambles
to return the volley. The match goes into overtime,
two nights. Austin trees reach break point.
Jeffrey L. Taylor's first submitted poems won 1st place and runner-up in Riff Magazine's 1994 Jazz and Blues Poetry Contest. Encouraged, he continues to write and has been published in di-vêrsé-city, The Perch, Enchantment of the Ordinary anthology, Texas Poetry Calendar, The Langdon Review, and Texas Poetry Assignment. Serving as sensei (instructor) to small children and professor to graduate students has taught him humility.
Houston Tour Stop
Thomas Quitzau
July 16, 2023
We can forget the long quietude of July twilight
Brief pale blue glow of late afternoon’s sky
Cradling a moon you’d find in a children’s book
Fans are all out tonight, led by a few groupie cries
Piercing, upstaging chirps of neurotic cardinals
Open an evening fit for the nocturnal kings
Warm-up bands for night hawks’ trickery before
Roadies clear the stage and the sun goes down
Now headliner bats ellipse synch between streetlights
Ultrasonically socking it to the mosquitoes
Please, God, let there be multiple encores
Shoot, where’s my lighter when I need it
Thomas Quitzau grew up in the Gulf Coast region and worked for over 30 years in Houston, Texas. A self-ascribed member of the ZenJourno School of Poetry, Tom recently relocated with his family to Long Island, New York where he teaches and writes.
Joie de Vivre
Suzanne Morris
April 30, 2023
Willem de Kooning made me feel
as if
in a fit of fury he had sloshed paint
one bucket after another
at the unsuspecting canvas
then applied broad brush strokes
and squiggly lines,
calling the chaotic result his Art;
made me feel he was sloshing the paint
at me
as I stood uncomprehending
in a museum gallery, high-walled and
reverent.
Then I read in her obituary how this
much younger woman
changed de Kooning’s painting once
she became his muse
her joie de vivre infecting him,
making him love painting
as he had not done in years.
Chatting companionably out on
a big porch
in matching rocking chairs of
outsized, spindled wood frames,
the couple seem less like a
wealthy, influential arts patron
and a painter of international
renown,
than a pair of frisky pre-teens, fresh from
Friday’s school dismissal bell:
Mimi’s dark hair and
pixie smile
above a black turtleneck
and bare feet,
floppy-haired Willem in
horn-rimmed glasses,
wrinkled cargo pants and
moccasins, unlaced.
Could it be, under the
influence of Mimi,
Willem’s frog became
a prince?
Open to a change of heart, I return for
another look at
East Hampton Garden Party
the pivotal painting she inspired, of the
place where first they met.
Promising myself I will not be intimidated
I inhale deeply and imagine
diving head-first into the painting’s
ocean blue
sun-spattered swirling
waves of
staggeringly bright
reds, yellows and greens
engulfing me, drenching me in their
energy and their light.
Emerging, then, I ride high above
on the wings of a great seabird
peering down at a
riotous topography of
garden paths meandering through
towering gladiolus, tulips, daffodils
and fringes of wispy sea grass,
neon green;
see a woman in sun hat and
off-the-shoulder dress
her forearm reaching from a
shimmery blue sleeve
toward a man’s outstretched hand,
her lips forming the words,
Am I ever going to see you again?
–After the obituary for Houston native Emilie “Mimi” Kilgore, December 25th, 2022, New York Times. Ms. Kilgore had served on the boards of Houston’s Museum of Fine Arts and the Contemporary Arts Museum.
Suzanne Morris is a novelist and poet. Her work is included in several poetry anthologies, most recently, Lone Star Poetry (Kallisto Gaia Press, 2022). Her poems have appeared in The Texas Poetry Assignment, The New Verse News, Stone Poetry Quarterly, The Pine Cone Review, Emblazoned Soul Review, and Creatopia Magazine. Ms. Morris lives in Cherokee County, Texas.
Closed
Ulf Kirchdorfer
April 2, 2023
Open. A sign of hope
to get liquor or beer,
a warm place to be
with other lonely hearts.
What does it mean
to open your heart
to the Lord? Is he
going to come
and perform heart
surgery or just do
one of those special-
effects moves
and reside in your
aging body
and give you hope
when you drag
yourself to another
doctor’s visit.
Open. Closed.
Open. Closed.
We are not here for you.
Ulf Kirchdorfer grew up in Texas before entering exile in Georgia, mandated by “demand” for English professors. He spends much of his time photographing birds. He has published books of poems with Lamar Literary UP and frequented the Texas-based journals Amarillo Bay, Borderlands, Concho River Review, descant, the Texas Observer, RE:AL, and others. Outside of Texas, his work has found lodging in Poetry Daily, Harvard Review, and Rolling Stone magazine.
National Poetry Month Opened on Opening Day
Milton Jordan
April 1, 2023
Old poets sharpened two pencils, scoring
the Cardinals - Astros from TV coverage,
a few purists from radio voices,
and turned, between innings, to our notebooks
with fresh pencils to line double meaning
into the gaps on those pages
writing visions of a World Series
Opening Day always seems to promise.
Milton Jordan grew up in Houston. His dad took him to his first Houston Buff game when he was nine years old. He has attended Opening Day in several Major, Minor, and Semi-pro League ballparks.
Where My Heart is Home
Thomas Hemminger
March 26, 2023
My heart knows the way back
down that open highway
lined with Texas wildflowers
and a sleepy railroad track.
I don’t need the worn out map
laying folded on the dusty floorboard
of my trusty pick-up truck.
We’ve been down that familiar road
so many times, for many so years now.
I wish to load up the bed again,
and take off that way
to where I long to be:
standing in a high hayfield,
under a wide, blue sky,
bathing in the warm rays
of an early-summer sunset.
No other care, save
watching the rural birds
coasting slowly in their lofty heights;
hearing the neighbor’s cattle
calling to each other; and
smelling the sage, the lemongrass,
and the honeysuckle.
That is the glorious place,
where my heart is home.
Thomas Hemminger is an elementary music teacher living in Dallas, Texas. His personal hero is Mr. Fred Rogers, the creator of Mr. Rogers’ Neighborhood. It was through America’s favorite “neighbor” that Thomas learned of the importance of loving others, and of giving them their own space and grace to grow.