Rough Sea at a Jetty, 1650s - Jacob van Ruisdael, Dutch

Herman Sutter

April 9, 2023


What is it the painter discovers

when dabs of white



brushed over strokes of gray become

bursting spray —swelling waves?



When whirls of blue gather

the grays, becoming



not oil and pigment dried stiff

not imaginings



but actualities;

storm dark clouds



descending

to the white-tipped sea?



Is it a kind of truth shaped

by color, craft and accident?



Or just a lie the eye believes

because it seems to be?



Who was it first discovered

how to tell such lies?



How did it come to be

that to say a thing in such a way



would make it true?


Herman Sutter (award-winning poet/essayist) is the author of Stations (Wiseblood Books), and The World Before Grace (Wings Press), and “The Sorrowful Mystery of Racism,” St. Anthony Messenger.  His writing has appeared in: The Perch (Yale University), The Langdon Review, Cider Press Review, Iris, The Ekphrastic Review, Benedict XVI Institute, as well as the anthologies: Texas Poetry Calendar (2021) & By the Light of a Neon Moon (Madville Press, 2019).  Recipient of the 2021 Best Essay award from the Catholic Media Association, the Innisfree Prize for poetry, Sutter has also been honored by the Texas Playwrights Festival for his poem for voices: The World Before Grace. His recent manuscript A Theology of Need was long-listed for the Sexton prize.

Previous
Previous

Cradleboard

Next
Next

Clay Swans