Gangster Runningboards

Clarence Wolfshohl

June 30, 2024

It was a ’35 Ford 4-door sedan, 

my first car.  Headlights perched 

on the fenders like crows on a branch.  

No trunk, spare in a continental kit 

on the turtle back, jack and tire tools 

gotten by folding out the rear seat. 

I bought it from Uncle Al for $35.  

His chow dog had somehow gotten shut 

inside and ripped the upholstery.  

I covered the seats with burlap bags.


It was our gang who rode in it. 

Darrell, later to be my best man, 

and he was.  Charles Mercy, 

who all called just Mercy 

because we four compadres needed some.  

Rodney Brown, who fifty years later 

at a class reunion, asked if I 

still had the old beast.


It was gray, faded, powdery.  

My father’s cousin—I guess mine, too—

Frank, who drove his ’29 Model-A 

he had bought new to Indianapolis 

from San Antonio every May to watch 

the races in person, and this was the late 50s,

he and I replaced nearly all the wiring 

in it over the couple years I had it.  

And he told me to scrub the car 

with Ajax to take off the powder 

and make the car shine.  

It worked.


It was the same model we saw 

in some forgotten gangster movie:  

Edward G. Robinson or George Raft 

shooting down rival punks in a blaze 

of Tommy guns.  The shooters stood 

on that black sedan’s runningboards 

as they raced past their foes 

and ratty-tat-tated them

in a crescendo of background music. 

We had gangster runningboards.


And it was Rodney Brown—

the other two already dead by that class reunion.  

Mercy killed in Vietnam in his twenties.  

Darrell, who broke up my wedding 

with a shit-eating grin, dead of a heart attack

in his fifties.  So only Rodney and I 

were left of the gangster runningboard gang, 

and he asked if I still had the car.


Native of San Antonio, Clarence Wolfshohl has been active in the small press as writer and publisher for sixty years.  More recently he has published in Southwest American Literature, The Mailer Review, New Texas, New Letters, and Texas Poetry Assignment.

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