The Neighborhood in Two Poems

Vincent Hostak

October 5, 2022

I.  Monsoon Days

In the land of the living

nothing is dead which may nourish another.

The magpie clutches this knowledge

shards of oyster shells and broken bracelets

trafficked from backyard museums

poured to the altar in a mate’s eyes.



Today he stops to feed in the place 

where a squirrel took its last breath.

The curb briefly stained (before the next rain)

Until three o’clock (when the gods are drunk again). 



What rests easy?

Not a yellow bullhead

circling the fogged creek bottom

puffing out a pebble

it mistook for a snail.



Not the water striders

on the taught skin of pond

miming falling rain

before it arrives.



The land of the living 

is a neighborhood of unquenchable beasts 

between foothills and hard acres

and groves of cattails, cleaved, menaced by seeds

where gifts from the impulsive sky

but for distractions each solves to seize.



II.  The Peach Thief

Ambiguity

is the night’s best game.

Walk this neighborhood by daylight

you may never be surprised.

Step into this page, into the nigh black night

you arrive where the street 

relaxes downslope from the park

(there’s a tiny pocket where the air is cooler).



Shadow

a mad architect

swallows all trusted shapes

returning: a space carved by an open door,

porch-lit bodies exquisitely tangled

or curtains hung from the jamb

(lovers saying goodbye, goodbye).



Everywhere, crumbs of consciousness,

rustlings nearly camouflaged

by songs of great bull-crickets,

leaves gossiping within a rare peach tree

(a hermit in this neighborhood that once was an orchard).



A hand conjoined to shadow

struggles through cords of cat’s eye leaves

swipes at the last fruit of summer.

A moonlight borne thief with

traces of windbreaker or vellum thin wings

(it’s the hour, who knows which?)

tunes out my wonder, minces away.



I consider these walk-ons:

a witness, a thief

an occasion after dawn 

(when night selves retire).

What remains turns in a trance

with a different plot

where both scale the hill

search for vanished contours and

find everything less remarkable by daylight.



Vincent Hostak is a writer and media producer from Texas now living near the Front Range of Colorado south of Denver. His recently published poems are found in the journals Sonder Midwest and the Langdon Review of the Arts in Texas and as a contributor to the TPA. He writes & produces the podcast: Crossings-the Refugee Experience in America.

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